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A European television fiction renaissance : premium production models and transnational circulation

A European television fiction renaissance : premium production models and transnational circulation (Loan 1 times)

Material type
단행본
Personal Author
Barra, Luca, editor. Scaglioni, Massimo, editor.
Title Statement
A European television fiction renaissance : premium production models and transnational circulation / edited by Luca Barra and Massimo Scaglioni.
Publication, Distribution, etc
Abingdon, Oxon ;   New York :   Routledge,   c2021.  
Physical Medium
xvii, 307 p. : ill. ; 25 cm.
Series Statement
Routledge advances in television studies
ISBN
9780367345402 (hbk.) 9780429326486 (ebk.)
요약
"This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories. Combining a media-production approach with a textual and audience analysis, the volume offers a complex, stratified, systemic view of ongoing aesthetic, sociocultural and industrial developments in contemporary European TV. With contributions from leading experts in the field, the book first offers an overview of the industrial, policy and cultural context for the renaissance of European television drama over the past decade, based on original comparative research. This research is then supported by case study chapters from the key contexts within which quality European television is being produced, offering a complex and complete picture of the industry's strengths and limitations, its traditions and trends, its constraints and future perspectives. A European Television Fiction Renaissance is a must-read book for TV scholars working across Europe and beyond in the areas of media studies, international communications and television studies, media industries studies, production studies, European studies, and media policy studies as well as for those with an interest in Netflix, globalisation, pay TV and on demand and television drama"--
Bibliography, Etc. Note
Includes bibliographical references and index.
Subject Added Entry-Topical Term
Television --Production and direction --Europe. Television programs --Europe.
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245 0 2 ▼a A European television fiction renaissance : ▼b premium production models and transnational circulation / ▼c edited by Luca Barra and Massimo Scaglioni.
260 ▼a Abingdon, Oxon ; ▼a New York : ▼b Routledge, ▼c c2021.
300 ▼a xvii, 307 p. : ▼b ill. ; ▼c 25 cm.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a unmediated ▼b n ▼2 rdamedia
338 ▼a volume ▼b nc ▼2 rdacarrier
490 1 ▼a Routledge advances in television studies
504 ▼a Includes bibliographical references and index.
520 ▼a "This book maps the landscape of contemporary European premium television fiction, offering a detailed overview of both the changes in the digital production and distribution and the emergence of specific national and transnational case histories. Combining a media-production approach with a textual and audience analysis, the volume offers a complex, stratified, systemic view of ongoing aesthetic, sociocultural and industrial developments in contemporary European TV. With contributions from leading experts in the field, the book first offers an overview of the industrial, policy and cultural context for the renaissance of European television drama over the past decade, based on original comparative research. This research is then supported by case study chapters from the key contexts within which quality European television is being produced, offering a complex and complete picture of the industry's strengths and limitations, its traditions and trends, its constraints and future perspectives. A European Television Fiction Renaissance is a must-read book for TV scholars working across Europe and beyond in the areas of media studies, international communications and television studies, media industries studies, production studies, European studies, and media policy studies as well as for those with an interest in Netflix, globalisation, pay TV and on demand and television drama"-- ▼c Provided by publisher.
650 0 ▼a Television ▼x Production and direction ▼z Europe.
650 0 ▼a Television programs ▼z Europe.
700 1 ▼a Barra, Luca, ▼e editor.
700 1 ▼a Scaglioni, Massimo, ▼e editor.
830 0 ▼a Routledge advances in television studies.
945 ▼a KLPA

Holdings Information

No. Location Call Number Accession No. Availability Due Date Make a Reservation Service
No. 1 Location Main Library/Western Books/ Call Number 791.45094 E892 Accession No. 111852343 Availability In loan Due Date 2021-11-22 Make a Reservation Available for Reserve R Service M

Contents information

Table of Contents

1. Introduction: The Many Steps and Factors of a European Renaissance





Luca Barra and Massimo Scaglioni





Part I: Researching European Fiction





2. The Grounds for a Renaissance in European Fiction: Transnational Writing, Production and Distribution Approaches and Strategies





Luca Barra and Massimo Scaglioni





3. Mapping European Premium Scripted TV: Trends, Patterns and Data in an Emerging EU Market





Dom Holdaway, Cecilia Penati and Anna Sfardini





4. Transnational Circulation of European TV Series: National Models and Industrial Strategies for Scripted Pay Imports/Exports





Paolo Carelli and Damiano Garofalo





Part II: United Kingdom





5. A 21st-Century Gold Rush? Video on Demand and the Global Competition for UK Television





Philip Drake





6. "The Biggest Drama Commission in British Television History": Netflix, The Crown and the UK Television Ecosystem





Roberta Pearson





Part III: France





7. Video on Demand Platforms, Editorial Strategies and Logics of Production: The Case of Netflix France


Christel Taillibert and Bruno Cailler





8. The Strategy of "Quality TV": Branding, Creating and Producing at Canal+





Helene Monnet-Cantagrel





9. What is a Quality French Series? Reflections on The Bureau





Francois Jost





Part IV: Italy





10. Towards a New Model for Italian TV Fiction: Sky Italia Originals and the Struggle for Difference





Luca Barra and Massimo Scaglioni





11. The Holy See(ing): Splendors and Miseries of The Young Pope





Giancarlo Lombardi





Part V: Germany





12. TV Drama Series Production in Germany and the Digital Television Landscape





Lothar Mikos





13. Selling Location, Selling History: New German Series and Changing Market Logic





Susanne Eichner





Part VI: Spain





14. Ways of Production and Distribution as Movistar+





Juan Francisco Gutierrez Lozano





15. Bambu Producciones and the Transformation of Spanish Television Fiction Production





Concepcion Cascajosa-Virino





Part VII: Central and Eastern Europe





16. HBO Europe''s Original Programming in the Era of Streaming Wars





Petr Szczepanik





17. Quality by Design: Feature TV Series from Premium Television in Poland





Artur Majer





18. Familiar, Much Too Familiar... HBO''s Hungarian Original Productions and the Questions of Cultural Proximity





Balasz Varga

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