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New media, old media : a history and theory reader / 2nd ed

New media, old media : a history and theory reader / 2nd ed

자료유형
단행본
개인저자
Chun, Wendy Hui Kyong, 1969-, editor. Fisher, Anna Watkins, editor. Keenan, Thomas, 1959-, editor.
서명 / 저자사항
New media, old media : a history and theory reader / [edited by] Wendy Hui Kyong Chun and Anna Watkins Fisher with Thomas W. Keenan.
판사항
2nd ed.
발행사항
New York, NY :   Routledge,   2016.  
형태사항
ix, 740 p. : ill. ; 26 cm.
ISBN
9781138021099 (hardback) 9781138021105 (pbk.)
서지주기
Includes bibliographical references and index.
일반주제명
Mass media --History.
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008 210405s2016 nyua b 001 0 eng
010 ▼a 2014044188
020 ▼a 9781138021099 (hardback)
020 ▼a 9781138021105 (pbk.)
035 ▼a (KERIS)REF000017611014
040 ▼a DLC ▼b eng ▼c DLC ▼e rda ▼d DLC ▼d 211009
042 ▼a pcc
050 0 0 ▼a P90 ▼b .N52 2016
082 0 0 ▼a 302.23/09 ▼2 23
084 ▼a 302.2309 ▼2 DDCK
090 ▼a 302.2309 ▼b N532-2
245 0 0 ▼a New media, old media : ▼b a history and theory reader / ▼c [edited by] Wendy Hui Kyong Chun and Anna Watkins Fisher with Thomas W. Keenan.
250 ▼a 2nd ed.
260 ▼a New York, NY : ▼b Routledge, ▼c 2016.
264 1 ▼a New York, NY : ▼b Routledge, ▼c 2016.
300 ▼a ix, 740 p. : ▼b ill. ; ▼c 26 cm.
336 ▼a text ▼2 rdacontent
337 ▼a unmediated ▼2 rdamedia
338 ▼a volume ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
650 0 ▼a Mass media ▼x History.
700 1 ▼a Chun, Wendy Hui Kyong, ▼d 1969-, ▼e editor.
700 1 ▼a Fisher, Anna Watkins, ▼e editor.
700 1 ▼a Keenan, Thomas, ▼d 1959-, ▼e editor.
945 ▼a KLPA

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/서고6층/ 청구기호 302.2309 N532-2 등록번호 111846739 도서상태 대출가능 반납예정일 예약 서비스 B M

컨텐츠정보

목차

Introduction


Wendy Hui Kyong Chun, "Someone Said New Media"





I. Archaeology of Multi-Media


Introduction, Anna Watkins Fisher


1. Thomas Elsaesser: "Early Film History and Multi-Media: An Archaeology of Possible Futures?"


2. Lev Manovich, "The Language of Cultural Interfaces"


3. Wolfgang Ernst, "Dis/continuities: Does the Archive Become Metaphorical in Multi-Media Space"


4. Jonathan Sterne, "Format Theory"


5. Lisa Parks, "Earth Observation and Signal Territories: Studying U.S. Broadcast Infrastructure through Historical Network Maps, Google Earth, and Fieldwork"


6. Lisa Nakamura, "Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture"


7. Steve Anderson, "Reflections on The Virtual Window Interactive," with an addendum by Tristan Rodman, "Through The Virtual Window"





II. Archives


Introduction, Anna Watkins Fisher





8. Vannevar Bush, "Memex Revisited"


9. Cornelia Vismann, "Out of File, Out of Mind"


10. Lisa Gitelman, "Raw Data is an Oxymoron"


11. Matthew Kirschenbaum, "Extreme Inscription: A Grammatology of the Hard Drive"


12. Hito Steyerl, "In Defense of the Poor Image"


13. Rick Prelinger, "The Disappearance of Archives"


14. Ariella Azoulay, "Revolutionary Moments and State Violence"





III. Power-Code


Introduction, Anna Watkins Fisher





15. Wolfgang Hagen, "Style of Sources: Remarks on the Theory and History of Programming Languages"


16. Tara McPherson, "U.S. Operating Systems at Mid-Century: The Intertwining of Race and UNIX"


17. Friedrich Kittler, "Science as Open Source Process"


18. Alexander R. Galloway, "Protocol vs. Institutionalization"


19. Jussi Parikka, "Viral Ecologies: A Brief Media Archaeology of Software and Artificial Life"


20. Anna Watkins Fisher, "User Be Used: Leveraging the Play in the System"





IV. Network-Events


Introduction, Anna Watkins Fisher





21. Mary Ann Doane, "Information, Crisis, Catastrophe"


22. McKenzie Wark, "The Weird Global Media Event and the Tactical Intellectual [version 3.0]"


23. Geert Lovink and Ned Rossiter, "The Politics of Organized Networks: The Art of Collective Coordination and the Seriality of Demands"


24. Nicholas Mirzoeff, "You Are Not A Loan: Debt and New Media"


25. Arvind Rajagopal, "Imperceptible Perceptions in Our Technological Modernity"


26. Vicente L. Rafael, "The Cell Phone and the Crowd"


27. Mercedes Bunz, "Things Are Not to Blame: Technical Agency and Thing Theory in the Face of the Internet of Things"





V. Use


Introduction, Anna Watkins Fisher





28. Tiziana Terranova, "Free Labor"


29. danah boyd, "Participating in the Always-On Lifestyle"


30. YiPing (Zona) Tsou, "Digital Natives in the Name of a Cause: From ''Flash Mob'' to ''Human Flesh Search''"


31. Julie Levin Russo, "Many Copies: Cylon Television and Hybrid Video"


32. Nick Dyer-Witheford and Greig de Peuter, "Biopower Play: World of Warcraft"


33. Lawrence Liang, "Porous Legalities and Avenues of Participation"


34. Anna Everett, "Toward a Theory of the Egalitarian Technosphere: How Wide Is the Digital Divide?"





VI. Desiring Data


Introduction, Anna Watkins Fisher





35. Jean Baudrillard, "The Masses: The Implosion of the Social in the Media"


36. Thomas Y. Levin, "Rhetoric of the Temporal Index: Surveillant Space and the Cinema of ''Real Time''"


37. Nishant Shah, "Exposed Net Porn: Penetrating Regulation, Bodies and Sexuality in the Age of the Internet"


38. E. Gabriella Coleman, "Phreaks, Hackers, and Trolls: The Politics of Transgression and Spectacle"


39. Taina Bucher, "Want to Be On the Top? Algorithmic Power and the Threat of Invisibility on Facebook"


40. Siva Vaidhyanathan, "The Googlization of Us: Universal Surveillance and Infrastructural Imperialism"


41. Derek Gregory, "From a View to a Kill: Drones and Late Modern War"


42. Michael Stevenson, "Slashdot, Open News and Informated Media: Exploring the Intersection of Imagined Futures and Web Publishing Technology"





VII. Re-Newing Media


Introduction, Anna Watkins Fisher





43. Miriam Hansen, "Early Cinema, Late Cinema"


44. Lynne Joyrich, "Tubular Vision: The Ins and Outs of Television Studies"


45. Nicole Starosielski, "Relaying the Atlantic Cable: Submerged Histories of Undersea Network"


46. Ian Bogost, "Why Gamification is Bullshit"


47. Florian Cramer, "What is ''Post-Digital''?"


48. Kara Keeling, "Queer OS"


49. Jennifer Gonzalez, "The Face and the Public: Race, Secrecy, and Digital Art Practice"

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