| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000046018948 | |
| 005 | 20200302151703 | |
| 008 | 200228s2020 nju b 001 0 eng | |
| 010 | ▼a 2019006595 | |
| 020 | ▼a 9781978807884 (pbk. : alk. paper) | |
| 020 | ▼a 9781978807891 (cloth : alk. paper) | |
| 035 | ▼a (KERIS)REF000018935953 | |
| 040 | ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d 211009 | |
| 043 | ▼a a-ko--- | |
| 050 | 0 0 | ▼a PN1993.5.K6 ▼b J55 2019 |
| 082 | 0 0 | ▼a 791.4309519 ▼2 23 |
| 084 | ▼a 791.430953 ▼2 DDCK | |
| 090 | ▼a 791.430953 ▼b J61t | |
| 100 | 1 | ▼a Jin, Dal Yong, ▼d 1964-. |
| 245 | 1 0 | ▼a Transnational Korean cinema : ▼b cultural politics, film genres, and digital technologies / ▼c Dal Yong Jin. |
| 260 | ▼a New Brunswick : ▼b Rutgers University Press, ▼c c2020. | |
| 300 | ▼a viii, 194 p. ; ▼c 23 cm. | |
| 504 | ▼a Includes bibliographical references (p. 165-184) and index. | |
| 505 | 0 | ▼a The emergence of contemporary Korean cinema -- State film policy and the politicization of censorship -- Screen quotas in the era of the U.S.-Korea FTA -- Conglomeration, screen oligopoly and cultural diversity -- Public film funding and transnational production -- Coproduction and transnationalization of Korean cinema -- Transnationalization of film genres -- Transmedia storytelling of webtoons in films in the digital era -- Conclusion: Korean cinema's future in digital technologies. |
| 650 | 0 | ▼a Motion pictures and transnationalism ▼z Korea (South). |
| 650 | 0 | ▼a Motion pictures ▼z Korea (South) ▼x History ▼y 20th century. |
| 650 | 0 | ▼a Motion pictures ▼z Korea (South) ▼x History ▼y 21st century. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 791.430953 J61t | Accession No. 111825024 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Table of Contents
The emergence of contemporary Korean cinema -- State film policy and the politicization of censorship -- Screen quotas in the era of the U.S.-Korea FTA -- Conglomeration, screen oligopoly and cultural diversity -- Public film funding and transnational production -- Coproduction and transnationalization of Korean cinema -- Transnationalization of film genres -- Transmedia storytelling of webtoons in films in the digital era -- Conclusion: Korean cinema''s future in digital technologies.
