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Paik's virtual archive : time, change, and materiality in media art

Paik's virtual archive : time, change, and materiality in media art

자료유형
단행본
개인저자
Hölling, Hanna.
서명 / 저자사항
Paik's virtual archive : time, change, and materiality in media art / Hanna B. Hölling.
발행사항
Oakland, California :   University of California Press,   c2017.  
형태사항
xiv, 248 p., [16] p. of col. plates : ill. ; 27 cm.
ISBN
9780520288904 (cloth : alk. paper)
요약
"Paik's virtual archive contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. Using examples by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, the book explores the relation between the artworks' concept and material, theories of musical performance, performativity, and the Bergsonian concept of duration and the parts they play in the conceptualization of multimedia artworks. Hölling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality not just in the work on Paik, but in contemporary art in general. Ultimately, she proposes that it is on the basis of the archive--the physical and virtual realm that encompass all that is known about an artwork--that the identity and continuity of such artworks are created and sustained."--Provided by publisher.
서지주기
Includes bibliographical references and index.
일반주제명
Video art --Themes, motives. Video art --Conservation and restoration. Multimedia (Art) --Themes, motives. Multimedia (Art) --Conservation and restoration.
주제명(개인명)
Paik, Nam June,   1932-2006   Criticism and interpretation.  
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010 ▼a 2016045252
020 ▼a 9780520288904 (cloth : alk. paper)
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040 ▼a CUS/DLC ▼b eng ▼c CUS ▼e rda ▼d DLC ▼d 211009
050 0 0 ▼a N6498.V53 ▼b H65 2017
082 0 0 ▼a 700.92 ▼2 23
084 ▼a 700.92 ▼2 DDCK
090 ▼a 700.92 ▼b P142h
100 1 ▼a Hölling, Hanna.
245 1 0 ▼a Paik's virtual archive : ▼b time, change, and materiality in media art / ▼c Hanna B. Hölling.
260 ▼a Oakland, California : ▼b University of California Press, ▼c c2017.
300 ▼a xiv, 248 p., [16] p. of col. plates : ▼b ill. ; ▼c 27 cm.
504 ▼a Includes bibliographical references and index.
520 ▼a "Paik's virtual archive contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. Using examples by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, the book explores the relation between the artworks' concept and material, theories of musical performance, performativity, and the Bergsonian concept of duration and the parts they play in the conceptualization of multimedia artworks. Hölling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality not just in the work on Paik, but in contemporary art in general. Ultimately, she proposes that it is on the basis of the archive--the physical and virtual realm that encompass all that is known about an artwork--that the identity and continuity of such artworks are created and sustained."--Provided by publisher.
600 1 0 ▼a Paik, Nam June, ▼d 1932-2006 ▼x Criticism and interpretation.
650 0 ▼a Video art ▼x Themes, motives.
650 0 ▼a Video art ▼x Conservation and restoration.
650 0 ▼a Multimedia (Art) ▼x Themes, motives.
650 0 ▼a Multimedia (Art) ▼x Conservation and restoration.
945 ▼a KLPA

소장정보

No. 소장처 청구기호 등록번호 도서상태 반납예정일 예약 서비스
No. 1 소장처 중앙도서관/서고7층/ 청구기호 700.92 P142h 등록번호 111816004 도서상태 대출가능 반납예정일 예약 서비스 B M

컨텐츠정보

목차

Section	Section Description	Page Number
List of illustrations	p. vii
Acknowledgments	p. xi
Introduction: Revisiting the Object	p. 1
Part 1	Concept and Materiality	p. 15
1	    Two Works	p. 17
2	    Conceptual and Material Aspects of Media Art	p. 30
3	    Musical Roots of Performed and Performative Media	p. 42
Part 2	Time and Changeability	p. 61
4	    Zen for Film	p. 63
5	    Changeability and Multimedia Art	p. 76
6	    Time and Conservation	p. 93
7	    Heterotemporalities: Film Time, Video Time, and Paik Time	p. 109
Part 3	Archive and Identity	p. 137
8	    The Material and the Immaterial Archive	p. 141
9	    Archival Implications	p. 154
Conclusion: The Many Archai of Conservation and Curation	p. 167
Notes	p. 171
Bibliography	p. 213
Index	p. 233

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