| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000046001551 | |
| 005 | 20191017115655 | |
| 008 | 191007s2017 cauaf b s001 0 eng d | |
| 010 | ▼a 2016045252 | |
| 020 | ▼a 9780520288904 (cloth : alk. paper) | |
| 035 | ▼a (KERIS)REF000018192204 | |
| 040 | ▼a CUS/DLC ▼b eng ▼c CUS ▼e rda ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a N6498.V53 ▼b H65 2017 |
| 082 | 0 0 | ▼a 700.92 ▼2 23 |
| 084 | ▼a 700.92 ▼2 DDCK | |
| 090 | ▼a 700.92 ▼b P142h | |
| 100 | 1 | ▼a Hölling, Hanna. |
| 245 | 1 0 | ▼a Paik's virtual archive : ▼b time, change, and materiality in media art / ▼c Hanna B. Hölling. |
| 260 | ▼a Oakland, California : ▼b University of California Press, ▼c c2017. | |
| 300 | ▼a xiv, 248 p., [16] p. of col. plates : ▼b ill. ; ▼c 27 cm. | |
| 504 | ▼a Includes bibliographical references and index. | |
| 520 | ▼a "Paik's virtual archive contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. Using examples by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, the book explores the relation between the artworks' concept and material, theories of musical performance, performativity, and the Bergsonian concept of duration and the parts they play in the conceptualization of multimedia artworks. Hölling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality not just in the work on Paik, but in contemporary art in general. Ultimately, she proposes that it is on the basis of the archive--the physical and virtual realm that encompass all that is known about an artwork--that the identity and continuity of such artworks are created and sustained."--Provided by publisher. | |
| 600 | 1 0 | ▼a Paik, Nam June, ▼d 1932-2006 ▼x Criticism and interpretation. |
| 650 | 0 | ▼a Video art ▼x Themes, motives. |
| 650 | 0 | ▼a Video art ▼x Conservation and restoration. |
| 650 | 0 | ▼a Multimedia (Art) ▼x Themes, motives. |
| 650 | 0 | ▼a Multimedia (Art) ▼x Conservation and restoration. |
| 945 | ▼a KLPA |
소장정보
| No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
|---|---|---|---|---|---|---|---|
| No. 1 | 소장처 중앙도서관/서고7층/ | 청구기호 700.92 P142h | 등록번호 111816004 | 도서상태 대출가능 | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
목차
Section Section Description Page Number List of illustrations p. vii Acknowledgments p. xi Introduction: Revisiting the Object p. 1 Part 1 Concept and Materiality p. 15 1 Two Works p. 17 2 Conceptual and Material Aspects of Media Art p. 30 3 Musical Roots of Performed and Performative Media p. 42 Part 2 Time and Changeability p. 61 4 Zen for Film p. 63 5 Changeability and Multimedia Art p. 76 6 Time and Conservation p. 93 7 Heterotemporalities: Film Time, Video Time, and Paik Time p. 109 Part 3 Archive and Identity p. 137 8 The Material and the Immaterial Archive p. 141 9 Archival Implications p. 154 Conclusion: The Many Archai of Conservation and Curation p. 167 Notes p. 171 Bibliography p. 213 Index p. 233
