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Eclipsed cinema : the film culture of colonial Korea

Eclipsed cinema : the film culture of colonial Korea

Material type
단행본
Personal Author
Kim, Dong Hoon, (College teacher).
Title Statement
Eclipsed cinema : the film culture of colonial Korea / Dong Hoon Kim.
Publication, Distribution, etc
Edinburgh :   Edinburgh University Press Ltd,   2017   (2018 printing).  
Physical Medium
xi, 292 p. : ill., facsim. ; 24 cm.
Series Statement
Edinburgh studies in East Asian film
ISBN
9781474421805 (hardback) 1474421806 (hardback) 9781474437547 (pbk.)
Content Notes
Introduction Joseon cinema: the question of film history and the film culture of colonial Korea -- The beginning: towards a mass entertainment -- Joseon cinema, cinematic Joseon: on some critical questions of Joseon cinema -- Migrating with the movies: Japanese settler film culture -- Colonial film spectatorship: nationalist enough? -- Film spectatorship and the tensions of modernith -- Conclusion: integrating into the imperial cinema.
Bibliography, Etc. Note
Includes bibliographical references (p. 273-283) and index.
Subject Added Entry-Topical Term
Motion pictures, Korean --History and criticism. Motion pictures, Japanese --History and criticism.
Subject Added Entry-Geographic Name
Korea --History --Japanese occupation, 1910-1945.
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020 ▼a 9781474421805 (hardback)
020 ▼a 1474421806 (hardback)
020 ▼a 9781474437547 (pbk.)
020 ▼z 9781474421812 (PDF)
020 ▼z 9781474421829 (epub)
035 ▼a (KERIS)REF000019090072
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050 0 0 ▼a PN1993.5.J3 ▼b K552 2017
082 0 4 ▼a 791.430951909041 ▼2 23
084 ▼a 791.43095309 ▼2 DDCK
090 ▼a 791.43095309 ▼b K49e
100 1 ▼a Kim, Dong Hoon, ▼c (College teacher).
245 1 0 ▼a Eclipsed cinema : ▼b the film culture of colonial Korea / ▼c Dong Hoon Kim.
260 ▼a Edinburgh : ▼b Edinburgh University Press Ltd, ▼c 2017 ▼g (2018 printing).
300 ▼a xi, 292 p. : ▼b ill., facsim. ; ▼c 24 cm.
490 1 ▼a Edinburgh studies in East Asian film
504 ▼a Includes bibliographical references (p. 273-283) and index.
505 0 ▼a Introduction Joseon cinema: the question of film history and the film culture of colonial Korea -- The beginning: towards a mass entertainment -- Joseon cinema, cinematic Joseon: on some critical questions of Joseon cinema -- Migrating with the movies: Japanese settler film culture -- Colonial film spectatorship: nationalist enough? -- Film spectatorship and the tensions of modernith -- Conclusion: integrating into the imperial cinema.
650 0 ▼a Motion pictures, Korean ▼x History and criticism.
650 0 ▼a Motion pictures, Japanese ▼x History and criticism.
651 0 ▼a Korea ▼x History ▼y Japanese occupation, 1910-1945.
651 0 ▼a Korea ▼x Social conditions ▼y 1910-1945.
830 0 ▼a Edinburgh studies in East Asian film.
945 ▼a KLPA

Holdings Information

No. Location Call Number Accession No. Availability Due Date Make a Reservation Service
No. 1 Location Main Library/Western Books/ Call Number 791.43095309 K49e Accession No. 111815901 Availability Available Due Date Make a Reservation Service B M

Contents information

Table of Contents

Section	Section Description	Page Number
List of Figures	p. vii
Acknowledgements	p. ix
Introducing Joseon Cinema: the Question of Film History an Film Culture of Colonial Korea	p. 1
1	The Beginning: Towards a Mass Entertainment	p. 13
    Film Culture Begins: rite Development of Early Film Culture	p. 19
    Film Production Begins: Moving Picture Unit of the Office of the Governor General	p. 30
2	Joseon Cinema, Cinematic Joseon: on Some Critical Questions of Joseon Cinema	p. 55
    Desperately Seeking the Joseon Image: Arirang (1926) and the Making of Joseon Film Aesthetics	p. 59
    Joseon Film Lyricism: Joseon Colour and Joseon Films ''Exported'' to Japan	p. 82
3	Migrating with the Movies: Japanese Settler Film Culture	p. 103
    The Formation and Characteristics of Settler Film Culture	p. 110
    ''A Film Practice Distinctly Joseon'': the Ethnic Segregation of Movie Theatres	p. 129
4	Colonial Film Spectatorship: Nationalist Enough?	p. 144
    Korean Spectators, or How they Learned to Stop Worrying and Love Hollywood	p. 147
    Performing Colonial Identity: the Transcolonial Practice of Byeonsa/Benshi	p. 167
5	Film Spectator ship and the Tensions of Modernity	p. 184
    Modern Girls and Boys go to the Movies: Cinema, Modernity and the Colonised Nation	p. 190
    Mobility, Movie Theatres and Female Film Spectatorship	p. 210
Conclusion: Integrating into the Imperial Cinema	p. 229
Notes	p. 236
Appendix	p. 264
Bibliography	p. 273
Index	p. 284

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