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Intro -- Preface to the Second Edition -- Preface -- Volume II Contents -- Book Set Contents -- Leitfaden -- Leitfaden I & II -- Leitfaden III -- Tom_CD -- Part VIII Structure Theory of Performance -- Chapter 32 Local and Global Performance Transformations -- 32.1 Performance as a Reality Switch -- 32.2 Why Do We Need Infinite Performance of the Same Piece? -- 32.3 Local Structure -- 32.3.1 The Coherence of Local Performance Transformations -- 32.3.2 Differential Morphisms of Local Compositions -- 32.3.2.1 A Recursive Interpolation Algorithm -- 32.4 Global Structure -- 32.4.1 Modeling Performance Syntax -- 32.4.2 The Formal Setup -- 32.4.3 Performance qua Interpretation of Interpretation -- Chapter 33 Performance Fields -- 33.1 Classics: Tempo, Intonation, and Dynamics -- 33.1.1 Tempo -- 33.1.2 Intonation -- 33.1.3 Dynamics -- 33.2 Genesis of the General Formalism -- 33.2.1 The Question of Articulation -- 33.2.2 The Formalism of Performance Fields -- 33.3 What Performance Fields Signify -- 33.3.1 Th.W. Adorno, W. Benjamin, and D. Raffman -- 33.3.2 Towards Composition of Performance -- Chapter 34 Initial Sets and Initial Performances -- 34.1 Taking Off with a Shifter -- 34.2 Anchoring Onset -- 34.3 The Concert Pitch -- 34.4 Dynamical Anchors -- 34.5 Initializing Articulation -- 34.6 Hit Point Theory -- 34.6.1 Distances -- 34.6.2 Flow Interpolation -- Chapter 35 Hierarchies and Performance Scores -- 35.1 Performance Cells -- 35.2 The Category of Performance Cells -- 35.3 Hierarchies -- 35.3.1 Operations on Hierarchies -- 35.3.2 Classification Issues -- 35.3.3 Example: The Piano and Violin Hierarchies -- 35.4 Local Performance Scores -- 35.5 Global Performance Scores -- 35.5.1 Instrumental Fibers -- Part IX Expressive Semantics -- Chapter 36 Taxonomy of Expressive PerformanceThis -- 36.1 Feelings: Emotional Semantics -- 36.2 Motion: Gestural Semantics -- 36.3 Understanding: Rational Semantics -- 36.4 Cross-semantical Relations -- Chapter 37 Performance Grammars -- 37.1 Rule-Based Grammars -- 37.1.1 The KTH School -- 37.1.2 Neil P. McAngus Todd -- 37.1.3 The Zurich School -- 37.2 Remarks on Learning Grammars -- Chapter 38 Stemma Theory -- 38.1 Motivation from Practising and Rehearsing -- 38.1.1 Does Reproducibility of Performances Help Understanding? -- 38.2 Tempo Curves Are Inadequate -- 38.3 The Stemma Concept -- 38.3.1 The General Setup of Matrilineal Sexual Propagation -- 38.3.2 The Primary Mother—Taking Off -- 38.3.3 Mono- and Polygamy—Local and Global Actions -- 38.3.4 Family Life—Cross-correlations -- Chapter 39 Operator Theory -- 39.1 Why Weights? -- 39.1.1 Discrete and Continuous Weights -- 39.1.2 Weight Recombination -- 39.2 Primavista Weights -- 39.2.1 Dynamics -- 39.2.2 Agogics -- 39.2.3 Tuning and Intonation -- 39.2.4 Articulation -- 39.2.5 Ornaments -- 39.3 Analytical Weights -- 39.4 Taxonomy of Operators -- 39.4.1 Splitting Operators -- 39.4.2 Symbolic Operators -- 39.4.3 Physical Operators -- 39.4.4 Field Operators -- 39.5 Tempo Opera.