000 | 00000cam u2200205 a 4500 | |
001 | 000045955183 | |
005 | 20180921105102 | |
006 | m d | |
007 | cr | |
008 | 151209s2016 nyu ob 001 0 eng d | |
020 | ▼a 9781501307065 (electronic bk.) | |
020 | ▼a 1501307061 (electronic bk.) | |
020 | ▼a 9781501307041 | |
020 | ▼a 1501307045 | |
020 | ▼a 9781501307034 | |
020 | ▼a 1501307037 | |
035 | ▼a (OCoLC)931877183 ▼z (OCoLC)959590929 ▼z (OCoLC)964291111 | |
040 | ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d OCLCO ▼d YDXCP ▼d IDEBK ▼d OCLCQ ▼d BLOOM ▼d OTZ ▼d OCLCQ ▼d CNCGM ▼d 211009 | |
049 | ▼a MAIN | |
050 | 4 | ▼a ML3918.P67 ▼b D35 2016eb |
082 | 0 0 | ▼a 781.6409/051 ▼2 23 |
084 | ▼a 781.6409051 ▼2 DDCK | |
090 | ▼a 781.6409051 | |
100 | 1 | ▼a Dale, Pete. |
245 | 1 0 | ▼a Popular music and the politics of novelty ▼h [electronic resource] / ▼c Pete Dale. |
260 | ▼a New York : ▼b Bloomsbury Academic, ▼c c2016. | |
300 | ▼a 1 online resource (viii, 226 p.). | |
500 | ▼a Title from e-Book title page. | |
504 | ▼a Includes bibliographical references and index. | |
505 | 0 | ▼a And all that -- If you don't care to remember "the sixties," you probably weren't there -- 1977, year zero (ish) -- The postmodern turn, turn, turn -- Badiou and the popular event -- What's left for the future of pop? |
530 | ▼a Issued also as a book. | |
538 | ▼a Mode of access: World Wide Web. | |
650 | 0 | ▼a Popular music ▼x Political aspects. |
650 | 0 | ▼a Popular music ▼x Social aspects. |
650 | 0 | ▼a Popular music ▼x History and criticism. |
856 | 4 0 | ▼u https://oca.korea.ac.kr/link.n2s?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1107381 |
945 | ▼a KLPA | |
991 | ▼a E-Book(소장) |
소장정보
No. | 소장처 | 청구기호 | 등록번호 | 도서상태 | 반납예정일 | 예약 | 서비스 |
---|---|---|---|---|---|---|---|
No. 1 | 소장처 중앙도서관/e-Book 컬렉션/ | 청구기호 CR 781.6409051 | 등록번호 E14005397 | 도서상태 대출불가(열람가능) | 반납예정일 | 예약 | 서비스 |
컨텐츠정보
목차
1899 and all that If you don''t care to remember ''the sixties'', you probably weren''t there 1977, year zero (ish) The postmodern turn, turn, turn Badiou and the popular event What''s left for the future of pop?