| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045939239 | |
| 005 | 20180418114144 | |
| 008 | 180412s2016 nyu b 001 0 eng d | |
| 010 | ▼a 2016000815 | |
| 020 | ▼a 9781138659094 (hardback) | |
| 035 | ▼a (KERIS)REF000018000175 | |
| 040 | ▼a DLC ▼b eng ▼c DLC ▼e rda ▼d DLC ▼d 211009 | |
| 043 | ▼a e-uk--en | |
| 050 | 0 0 | ▼a PN86 ▼b .M345 2016 |
| 082 | 0 0 | ▼a 801/.95 ▼2 23 |
| 084 | ▼a 801.95 ▼2 DDCK | |
| 090 | ▼a 801.95 ▼b M383r | |
| 100 | 1 | ▼a Martin, Thomas L., ▼d 1960-. |
| 245 | 1 4 | ▼a The Renaissance and the postmodern : ▼b a study in comparative critical values / ▼c Thomas L. Martin and Duke Pesta. |
| 260 | ▼a New York : ▼b Routledge, ▼c c2016. | |
| 300 | ▼a xviii, 213 p. ; ▼c 24 cm. | |
| 490 | 1 | ▼a Routledge studies in Renaissance literature and culture |
| 504 | ▼a Includes bibliographical references and index. | |
| 505 | 0 | ▼a Invisible baldricks: theatrical representations in Johnson and Orgel -- Machiavel as historian: historical sense in Shakespeare and Foucault -- Deconstructing satan: linguistic play in Milton and Derrida -- Mirroring obsessions: reading desire in Spenser and Lacan -- Cursed learning: colonizing thought in Montaigne and Greenblatt. |
| 650 | 0 | ▼a Criticism ▼x History. |
| 650 | 0 | ▼a Renaissance. |
| 650 | 0 0 | ▼a Postmodernism. |
| 650 | 0 | ▼a English literature ▼y Early modern, 1500-1700 ▼x History and criticism ▼x Theory, etc. |
| 650 | 0 | ▼a Literature ▼x Philosophy ▼x History. |
| 700 | 1 | ▼a Pesta, Duke, ▼d 1967-. |
| 830 | 0 | ▼a Routledge studies in Renaissance literature and culture. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 801.95 M383r | Accession No. 111789699 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Table of Contents
Invisible baldricks: theatrical representations in Johnson and Orgel -- Machiavel as historian: historical sense in Shakespeare and Foucault -- Deconstructing Satan: linguistic play in Milton and Derrida -- Mirroring obsessions: reading desire in Spenser and Lacan -- Cursed learning: colonizing thought in Montaigne and Greenblatt.