상세정보

List of figures	p. ix
List of tables	p. xi
About this book	p. xiii
Foreword	p. xiv
Copyright acknowledgments	p. xx
Acknowledgments	p. xxiv
Frontispiece	p. xxvi
1	Translation and music	p. 1
1.1	    A topic of increasing interest	p. 3
1.2	    Prima la musica?	p. 6
2	Singable translations	p. 11
2.1	    Musical and verbal constraints	p. 14
2.2	    Other factors	p. 21
2.3	    Multiple audiences to satisfy	p. 22
2.4	    A good example	p. 25
2.5	    Singable translations versus projected captions	p. 27
3	Foreignization and domestication	p. 31
3.1	    Foreign words	p. 34
3.2	    Wardour street	p. 35
3.3	    Homophony	p. 37
3.4	    Important words	p. 38
3.5	    Rhyme	p. 42
3.6	    Repetition	p. 44
3.7	    Nonsense words	p. 46
3.8	    Slang	p. 48
3.9	    Jokes	p. 51
4	Adaptation and re-translation	p. 57
4.1	    Adaptation	p. 57
4.2	    Re-translation	p. 65
5	Dealing with difference	p. 73
5.1	    Conventions	p. 74
5.2	    Common knowledge	p. 78
5.3	    Historicity	p. 84
5.4	    Sensibility	p. 90
6	Censorship and taboos	p. 101
6.1	    Forbidden music	p. 102
6.2	    Forbidden words	p. 103
6.3	    Forbidden ideas	p. 111
7	Once upon which time?	p. 129
7.1	    Once upon a time	p. 130
7.2	    Once upon a specific time	p. 133
7.3	    Right now	p. 139
8	Verbal delineation of character	p. 143
8.1	    Seventeenth-century French rustics	p. 144
8.2	    Ad libbing in dialect	p. 146
8.3	    Wagner''s Das Rheingold	p. 147
8.4	    Changing a speech pattern	p. 155
9	Multiple translations	p. 157
10	When the music is missing	p. 173
11	Verbal and musical form	p. 181
11.1	    Rhythm	p. 181
11.2	    Rhyme and closure	p. 188
11.3	    Repetition	p. 200
11.4	    Dynamics and crests	p. 207
11.5	    When the composer ignores the verbal form	p. 207
12	Music and meaning	p. 217
12.1	    Inherent and acquired meaning in music	p. 218
12.2	    The physical act of singing	p. 222
12.3	    Sound and sense	p. 228
12.4	    The right word on the right note	p. 230
Afterword	p. 241
Bibliography	p. 245
Index	p. 269