| 000 | 00000cam u2200205 a 4500 | |
| 001 | 000045916751 | |
| 005 | 20170928103746 | |
| 008 | 170927s2007 enk b 001 0 eng d | |
| 010 | ▼a 2006036280 | |
| 020 | ▼a 9780199284375 (alk. paper) | |
| 020 | ▼a 0199284377 (alk. paper) | |
| 035 | ▼a (KERIS)REF000012879105 | |
| 040 | ▼a DLC ▼c DLC ▼d BAKER ▼d BTCTA ▼d BWKUK ▼d YDXCP ▼d UKM ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a ML3800 ▼b .D594 2007 |
| 082 | 0 0 | ▼a 781.1/7 ▼2 23 |
| 084 | ▼a 781.17 ▼2 DDCK | |
| 090 | ▼a 781.17 ▼b D639w | |
| 100 | 1 | ▼a Dodd, Julian. |
| 245 | 1 0 | ▼a Works of music : ▼b an essay in ontology / ▼c Julian Dodd. |
| 260 | ▼a Oxford ; ▼a New York : ▼b Oxford University Press, ▼c c2007. | |
| 300 | ▼a xi, 286 p. ; ▼c 25 cm. | |
| 504 | ▼a Includes bibliographical references (p. [277]-282) and index. | |
| 505 | 0 | ▼a Introduction -- The type/token theory introduced -- Motivating the type/token theory : repeatability -- Nominalist approaches to the ontology of music -- Musical anti-realism -- The type/token theory elaborated -- Types I : abstract, unstructured, unchanging -- Types introduced and nominalism repelled -- Types as abstracta -- Types as unstructured entities -- Types as fixed and unchanging -- Types II : platonism -- Introduction : eternal existence and timelessness -- Types and properties -- The eternal existence of properties reconsidered -- Types and patterns -- Defending the type/token theory I -- Unstructuredness and analogical predication -- Musical works as fixed and unchanging -- Abstractness and audibility (again) -- Works and interpretations -- Conclusion and resumé -- Defending the type/token theory II : musical platonism -- Platonism it is : replies to Anderson and Levinson -- The existence conditions of works of music -- Composition as creative discovery -- The nature of the compositional process : replies to objections -- Composition and aesthetic appraisal : a reply to Levinson -- Composition and aesthetic appraisal : understanding, interpretation, and correctness -- Musical works as continuants : a theory rejected -- A theory introduced -- Explicating and motivating the continuant view -- The continuant view and repeatability -- Further objections to the continuant view -- Musical works as compositional actions : a critique -- Currie's action-type hypothesis -- Davies's performance theory -- Sonicism I : against instrumentalism -- Sonicism introduced -- Sonicism motivated : moderate empiricism -- Instrumentation : timbral sonicism introduced -- Scores -- Instrumentation, artistic properties, and aesthetic content -- Levinson's rejoinder -- Sonicism II : against contextualism -- Introduction : formulating contextualism -- Contextualist ontological proposals -- Levinson's doppelgänger thought-experiments -- Artistic, representational, and object-directed expressive properties -- Aesthetic and non-object-directed expressive properties -- Conclusion : the place of context. |
| 650 | 0 | ▼a Music ▼x Philosophy and aesthetics. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 781.17 D639w | Accession No. 111779170 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Table of Contents
ntroduction 1 The Type/Token Theory Introduced 2 Types I: Abstract, Unstructured, Unchanging 3 Types II: Platonism 4 Defending the Type/Token Theory I 5 Defending the Type/Token Theory II: Musical Platonism 6 Musical Works as Continuants: A Theory Rejected 7 Musical Works as Compositional Actions: A Critique 8 Sonicism I: Against Instrumentalism 9 Sonicism II: Against Contextualism
