|000||00000cam u2200205 a 4500|
|008||160304s2010 enk b 001 0 eng d|
|040||▼a 211009 ▼c 211009 ▼d 211009|
|082||0 0||▼a 700.1/03 ▼2 23|
|084||▼a 700.103 ▼2 DDCK|
|090||▼a 700.103 ▼b Y73c|
|100||1||▼a Young, James O., ▼d 1957-.|
|245||1 0||▼a Cultural appropriation and the arts / ▼c James O. Young.|
|260||▼a Chichester, West Sussex : ▼b Blackwell Pub., ▼c 2010.|
|300||▼a xiv, 168 p. ; ▼c 23 cm.|
|490||1||▼a New directions in aesthetics ; ▼v 6|
|504||▼a Includes bibliographical references (p. 159-165) and index.|
|505||0 0||▼t What is cultural appropriation? -- ▼t The aesthetics of cultural appropriation -- ▼t Cultural appropriation as theft -- ▼t Cultural appropriation as assault -- ▼t Profound offence and cultural appropriation -- ▼g Conclusion: ▼t Responding to cultural appropriation.|
|650||0||▼a Arts and society.|
|650||0||▼a Arts ▼x Moral and ethical aspects.|
|650||0||▼a Cultural property.|
|830||0||▼a New directions in aesthetics ; ▼v 6.|
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|No. 1||Location Main Library/Western Books/||Call Number 700.103 Y73c||Accession No. 111752533||Availability Available||Due Date||Make a Reservation||Service|
Table of Contents
Chapter One: What is Cultural Appropriation?
Art, Culture, and Appropriation.
Types of Cultural Appropriation.
What is a Culture?
Objections to Cultural Appropriation.
In Praise of Cultural Appropriation.
Chapter Two: The Aesthetics of Cultural Appropriation:
The Aesthetic Handicap Thesis.
The Cultural Experience Argument.
Aesthetic Properties and Cultural Context.
Authenticity and Appropriation.
Cultural Experience and Subject Appropriation.
Appropriation and the Authentic Expression of a Culture.
Chapter Three: Cultural Appropriation as Theft:
Harm by Theft.
Possible Owners of Artworks.
Cultures and Inheritance.
Lost and Abandoned Property.
Cultural Property and Traditional Law.
Collective Knowledge and Collective Property.
Ownership of Land and Ownership of Art.
Property and Value to a Culture.
Cultures and Intellectual Property.
Some Conclusions about Ownership and Appropriation.
The Rescue Argument.
Chapter Four: Cultural Appropriation as Assault:
Other Forms of Harm.
Cultural Appropriation and Harmful Misrepresentation.
Harm and Accurate Representation.
Cultural Appropriation and Economic Opportunity.
Cultural Appropriation and Assimilation.
Art, Insignia, and Cultural Identity.
Cultural Appropriation and Privacy.
Chapter Five: Profound Offence and Cultural Appropriation:
Harm, Offence, and Profound Offence.
Examples of Offensive Cultural Appropriation.
The Problem and the Key to its Solution.
Social Value and Offensive Art.
Freedom of Expression.
The Sacred and the Offensive.
Time and Place Restrictions.
Toleration of Offensive Art.
Reasonable and Unreasonable Offence.
Conclusion: Responding to Cultural Appropriation.
Supporting Minority Artists.
Bibliography of Works Cited and Consulted.
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