| 000 | 00936camuu2200277 a 4500 | |
| 001 | 000045739025 | |
| 005 | 20130212114911 | |
| 008 | 130208s2001 enk b 001 0 eng | |
| 010 | ▼a 00067469 | |
| 020 | ▼a 0521590175 (hardback) | |
| 035 | ▼a (KERIS)REF000006171341 | |
| 040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a ML196 ▼b .C36 2001 |
| 082 | 0 0 | ▼a 780/.9/034 ▼2 23 |
| 084 | ▼a 780.9034 ▼2 DDCK | |
| 090 | ▼a 780.9034 ▼b C178 | |
| 245 | 0 4 | ▼a The Cambridge history of nineteenth-century music / ▼c edited by Jim Samson. |
| 260 | ▼a Cambridge ; ▼a New York : ▼b Cambridge University Press, ▼c 2001. | |
| 300 | ▼a xv, 772 p. ; ▼c 24 cm. | |
| 490 | 1 | ▼a The Cambridge history of music |
| 504 | ▼a Includes bibliographical references and index. | |
| 650 | 0 | ▼a Music ▼y 19th century ▼x History and criticism. |
| 700 | 1 | ▼a Samson, Jim. |
| 830 | 0 | ▼a Cambridge history of music. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 780.9034 C178 | Accession No. 111687962 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Author Introduction
짐 샘슨(엮은이)
런던대학 로열 할로웨이의 음악학 교수이다. The Cambridge History of Nineteenth-Century Music (2002)의 편집인이며, Virtuosity and the Musical Work: The Transcendental Studies of Liszt (Cambridge, 2003)를 저술했다. 또한 그는 The Complete Chopin: A New Critical Edition 시리즈의 편집 일원이기도 하다.
Table of Contents
Chronology; Part I. 1800?1850: 1. The musical work and nineteenth-century history Jim Samson; 2. Music and the rise of aesthetics Andrew Bowie; 3. The profession of music John Rink; 4. The opera industry Roger Parker; 5. The construction of Beethoven K. M. Knittel; 6. Music and the poetic Julian Rushton; 7. The invention of tradition John Irving; 8. Choral music John Butt; 9. The consumption of music Derek Carew; 10. The great composer Jim Samson; Part II. 1850?1900: 11. Progress, modernity, and the concept of an avant-garde John Williamson; 12. Music as ideal: the aesthetics of autonomy Max Paddison; 13. The structures of musical life Katharine Ellis; 14. Opera and music drama Thomas Grey; 15. Beethoven reception: the symphonic tradition James Hepokoski; 16. Words and music in France and Germany Susan Youens; 17. Chamber music and piano Jonathan Dunsby; 18. Choral culture and the regeneration of the organ John Butt; 19. Music and social class Derek B. Scott; 20. Nations and nationalism Jim Samson; 21. Styles and languages around the turn of the century Anthony Pople.
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