| 000 | 02080camuu2200337 a 4500 | |
| 001 | 000045678469 | |
| 005 | 20111117100130 | |
| 008 | 111116s2009 enkag b 001 0 eng d | |
| 010 | ▼a 2009921312 | |
| 015 | ▼a GBA939377 ▼2 bnb | |
| 020 | ▼a 9780754628521 | |
| 020 | ▼a 0754628523 | |
| 035 | ▼a (KERIS)REF000015722930 | |
| 040 | ▼a UKM ▼c UKM ▼d BTCTA ▼d BWKUK ▼d BWK ▼d BWX ▼d CDX ▼d BUF ▼d DLC ▼d 211009 | |
| 050 | 0 0 | ▼a MT90 ▼b .H47 2009 |
| 082 | 0 4 | ▼a 780.15 ▼2 22 |
| 084 | ▼a 780.15 ▼2 DDCK | |
| 090 | ▼a 780.15 ▼b H529m | |
| 100 | 1 | ▼a Hepokoski, James A. ▼q (James Arnold), ▼d 1946-. |
| 245 | 1 0 | ▼a Music, structure, thought : ▼b selected essays / ▼c James Hepokoski. |
| 260 | ▼a Farnham ; Burlington, VT : ▼b Ashgate, ▼c c2009. | |
| 300 | ▼a xx, 357 p. : ▼b ill., music ; ▼c 26 cm. | |
| 490 | 1 | ▼a Ashgate contemporary thinkers on critical musicology series |
| 504 | ▼a Includes bibliographical references (p. [xvii]-xx) and index. | |
| 505 | 0 | ▼a Introduction -- Complete bibliography -- Part 1: Historiography, history, methodology. The Dahlhaus project and its extra-musicological sources ; Beethoven reception: the symphonic tradition ; Some grounding principles of sonata theory -- Part 2: Italian opera. Ottocento opera as cultural drama: generic mixtures in Il Trovatore ; Staging Verdi's operas: the single "correct" performance ; Operatic stagings: positions and paradoxes: a reply to David J. Levin ; Structure, implication and the end of Suor Angelica ; Un bel di? Vedremo! Anatomy of a delusion -- Part 3: Structure and content: Shorter Essays. Formulaic openings in Debussy ; Culture clash ; Masculine/feminine ; Temps perdu -- Part 4: Symphonic Readings. Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated ; Framing Till Eulenspiegel ; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47. |
| 650 | 0 | ▼a Musical analysis. |
| 650 | 0 | ▼a Music appreciation. |
| 650 | 0 | ▼a Opera ▼z Italy. |
| 830 | 0 | ▼a Ashgate contemporary thinkers on critical musicology. |
| 945 | ▼a KLPA |
Holdings Information
| No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
|---|---|---|---|---|---|---|---|
| No. 1 | Location Main Library/Western Books/ | Call Number 780.15 H529m | Accession No. 111648444 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Table of Contents
Contents: Introduction; Complete bibliography; Part 1 Historiography, History, Methodology: The Dahlhaus project and its extra-musicological sources; Beethoven reception: the symphonic tradition; Some grounding principles of sonata theory. Part 2 Italian Operwa: Ottocento opera as cultural drama: generic mixtures in Il Trovatore; Staging Verdi's operas: the single 'correct' performance; Operatic stagings: positions and paradoxes: a reply to David J. Levin; Structure, implication and the end of Suor Angelica; Un bel dA￢? Vedremo! Anatomy of a delusion. Part 3 Structure and Content: Shorter Essays: Formulaic openings in Debussy; Culture clash; Masculine/feminine; Temps perdu. Part 4 Symphonic Readings: Fiery-pulsed libertine or domestic hero? Strauss's Don Juan reinvestigated; Framing Till Eulenspiegel; Gaudery, romance and the 'Welsh' tune: Introduction and Allegro, Op. 47; Index.
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