
000 | 02990camuu2200301 a 4500 | |
001 | 000045656274 | |
005 | 20110707173139 | |
008 | 110707s2008 maua b 000 0 eng d | |
010 | ▼a 2007014547 | |
020 | ▼a 9781405153331 (hbk. : alk. paper) | |
020 | ▼a 1405153334 (hbk. : alk. paper) | |
020 | ▼a 9781405153348 (pbk. : alk. paper) | |
020 | ▼a 1405153342 (pbk. : alk. paper) | |
035 | ▼a (KERIS)REF000013078230 | |
040 | ▼a DLC ▼c DLC ▼d DLC ▼d 211009 | |
050 | 0 0 | ▼a PN1995.9.A837 ▼b A98 2008 |
082 | 0 0 | ▼a 791.43 ▼2 22 |
084 | ▼a 791.43 ▼2 DDCK | |
090 | ▼a 791.43 ▼b A939 | |
245 | 0 0 | ▼a Auteurs and authorship : ▼b a film reader / ▼c edited by Barry Keith Grant. |
260 | ▼a Malden, MA ; ▼a Oxford : ▼b Blackwell Pub., ▼c 2008. | |
300 | ▼a xv, 322 p. : ▼b ill. ; ▼c 26 cm. | |
504 | ▼a Includes bibliographical references. | |
505 | 0 | ▼a A certain tendency of the French cinema (1954) / Francois Truffaut -- La politique des auteurs (1957) / Andre Bazin -- Films, directors, and auteurs (1962) / Ian Cameron -- Notes on the auteur theory in 1962 (1962) / Andrew Sarris -- Circles and squares (1963) / Pauline Kael -- The auteur theory (1969) (excerpt) / Peter Wollen -- Direction and authorship (1972) (excerpt) / V.F. Perkins -- Ideas of authorship (1973) / Edward Buscombe -- Ideology, genre, auteur (1977) / Robin Wood -- The death of the author (1968) / Roland Barthes -- The English cine-structuralists (1973) / Charles Eckert -- Alternatives to auteurs (1973) / Graham Petrie -- Women's cinema as counter-cinema (1973) / Claire Johnston -- Refocusing authorship in women's cinema (2003) / Angela Martin -- The men with the movie cameras (1972) / Richard Kosarzski -- Notes on a screenwriter's theory, 1973 (1974) / Richard Corliss -- Who makes the movies? (1976) / Gore Vidal -- Script/performance/text : performance theory and auteur theory (1978) / Peter Lehman -- Studio authorship (2006) (excerpt) / Jerome Christensen -- The producer as auteur (2006) / Matthew Bernstein -- Authorship, design, and execution (1987) / Bruce Kawin -- Hitchcock's imagery and art (1977) / Maurice Yacowar -- John Ford's Young Mr. Lincoln (1970) / editors of Cahiers du Cinema -- Towards an analysis of the Sirkian system (1972) / Paul Willeman -- My name is Joseph H. Lewis (1983) / Paul Kerr -- Authorship as a commodity: the art cinema and The cabinet of Dr. Caligari (1984) / Michael Budd -- The place of women in the cinema of Raoul Walsh (1974) / Claire Johnston and Pam Cook -- Female authorship reconsidered (the case of Dorothy Arzner) (1990) / Judith Mayne -- Man's favorite sport?--the action films of Kathryn Bigelow (2004) / Barry Keith Grant -- Todd Haynes and queer authorship (2006) / Michael DeAngelis -- Twoness in the style of Oscar Micheaux (1993) / J. Ronald Green -- Spike's joint (1998) (excerpt) / S. Craig Watkins. |
650 | 0 | ▼a Auteur theory (Motion pictures) |
700 | 1 | ▼a Grant, Barry Keith, ▼d 1947-. |
945 | ▼a KLPA |
Holdings Information
No. | Location | Call Number | Accession No. | Availability | Due Date | Make a Reservation | Service |
---|---|---|---|---|---|---|---|
No. 1 | Location Main Library/Western Books/ | Call Number 791.43 A939 | Accession No. 111634545 | Availability Available | Due Date | Make a Reservation | Service |
Contents information
Table of Contents
Dedication.
Acknowledgments.
Figures and Captions.
Preface: How to Use this Book.
Introduction.
Part I: Classic Auteur Theory.
Introduction.
1. Francois Truffaut: A Certain Tendency of the French Cinema (1954).
2. André Bazin: La Politique des Auteurs (1957).
3. Ian Cameron: Films, Directors and Auteurs (1962).
4. Andrew Sarris: Notes on the Auteur Theory in 1962 (1962).
5. Pauline Kael: Circles and Squares (1963).
6. Peter Wollen: The Auteur Theory (1969) (excerpt).
7. V.F. Perkins: Direction and Authorship (1972) (excerpt).
8. Edward Buscombe: Ideas of Authorship (1973).
9. Robin Wood: Ideology, Genre, Auteur (1977).
Bibliography.
Part II: The Contexts of Authorship.
Introduction.
10. Roland Barthes: The Death of the Author (1968).
11. Charles Eckert: The English Cine-Structuralists (1973).
12. Graham Petrie: Alternatives to Auteurs (1973).
13. Claire Johnston: Women’s Cinema as Counter-Cinema (1973).
14. Angela Martin: Refocusing Authorship in Women's Cinema (2003).
15. Richard Kosarzski: The Men with the Movie Cameras (1972).
16. Richard Corliss: Notes on a Screenwriter's Theory, 1973 (1974).
17. Gore Vidal: Who Makes the Movies? (1976).
18. Peter Lehman: Script/Performance/Text: Performance Theory and Auteur Theory (1978).
19. Jerome Christensen: Studio Authorship (2006) (excerpt).
20. Matthew Bernstein: The Producer as Auteur (2006).
21. Bruce Kawin: Authorship, Design, and Execution (1987).
Bibliography.
Part III: Close Readings.
Introduction.
22. Maurice Yacowar: Hitchcock's Imagery and Art (1977).
23. Editors of Cahiers du Cinema: John Ford’s Young Mr. Lincoln (1970).
24. Paul Willeman: Towards an Analysis of the Sirkian System (1972).
25. Paul Kerr: My Name is Joseph H. Lewis (1983).
26. Michael Budd: Authorship as a Commodity: The Art Cinema and The Cabinet of Dr.Caligari (1984).
27. Claire Johnston and Pam Cook: The Place of Women in the Cinema of Raoul Walsh (1974).
28. Judith Mayne: Female Authorship Reconsidered (The Case of Dorothy Arzner) (1990).
29. Barry Keith Grant: Man’s Favorite Sport?: The Action Films of Kathryn Bigelow (2004).
30. Michael DeAngelis: Todd Haynes and Queer Authorship (2006).
31. J. Ronald Green: Twoness' in the Style of Oscar Micheaux (1993).
32. S. Craig Watkins: Spike’s Joint (1998) (excerpt).
Bibliography
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