CONTENTS
Acknowledgments = ⅸ
Introduction = 1
Ⅰ Althusser, Lacan, and Film Theory = 7
Althusser's Theory of Ideology = 9
The Theory of the Cinematic Apparatus = 19
The Lacanian Subject = 25
The Theory of Cinematic Suture = 34
Marxist Literary Modernism and Cinematic Enunciation = 39
Ⅱ The Lure of Metaphysics = 47
Husserl's Transcendental Phenomenology = 50
Derrida's Deconstruction of Transcendental Phenomenology = 55
Wittgenstein's Private Language Argument = 63
The "Subject" of Theory = 71
Ⅲ Representation, Illusion, and the Cinema = 81
Representation and Illusion = 82
Reproductive Illusion in the Cinema = 90
Sensory Illusion and Seeing Aspects = 97
Projective Illusion and the Cinematic Image = 106
Projective Illusion and Cinematic Narration = 114
Ⅳ Cinema, Psychoanalysis, and the Film Spectator = 120
Dream, Fantasy, and Projective Illusion = 122
Identification, Voyeurism, and Projective Illusion = 127
Varieties of Disavowal = 135
Voyeurism, Fetishism, and Sexual Difference = 143
Notes = 155
Filmography = 169
Index = 171
