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Film theory and contemporary Hollywood movies

Film theory and contemporary Hollywood movies (Loan 8 times)

Material type
단행본
Personal Author
Buckland, Warren.
Title Statement
Film theory and contemporary Hollywood movies / edited by Warren Buckland.
Publication, Distribution, etc
New York :   Routledge,   2009.  
Physical Medium
vi, 355 p. : ill. ; 23 cm.
Series Statement
AFI film readers
ISBN
9780415962612 (hardback : alk. paper) 0415962617 (hardback : alk. paper) 9780415962629 (pbk. : alk. paper) 0415962625 (pbk. : alk. paper) 9780203030769 (e-book) 0203030761 (e-book)
Content Notes
New Hollywood, new aesthetics. New Hollywood, new millennium / Thomas Schatz -- The supernatural in neo-baroque Hollywood / Sean Cubitt -- Man without a movie camera, movies without men: towards a posthumanist cinema? / William Brown -- Movie-games and game-movies: towards an aesthetics of transmediality / Douglas Brown and Tanya Krzywinska -- Saw heard: musical sound design in contemporary cinema / K.J. Donnelly -- The shape of 1999: the stylistics of American movies at the end of the century / Barry Salt -- Tales of epiphany and entropy: paranarrative worlds on YouTube / Thomas Elsaesser -- Feminism, philosophy, and queer theory. Reformulating the symbolic universe: Kill Bill and Tarantino's transcultural imaginary / Sasa Vojkovic -- (Broke)back to the mainstream: queer theory and queer cinemas today / Harry M. Benshoff -- Demystifying Deleuze: French philosophy meets contemporary U.S. cinema / David Martin-Jones -- Rethinking affects, narration, fantasy, and realism. Trauma, pleasure, and emotion in the viewing of Titanic: a cognitive approach / Carl Plantinga -- Mementos of contemporary American cinema: identifying and responding to the unreliable narrator in the movie theater / Volker Ferenz -- Fantasy audiences versus fantasy audiences / Martin Barker -- "What is there really in the world?" Forms of theory, evidence and truth in Fahrenheit 9/11: a philosophical and intuitionist realist approach / Ian Aitken.
Bibliography, Etc. Note
Includes bibliographical references and index.
Subject Added Entry-Topical Term
Motion pictures -- Philosophy. Motion pictures -- United States.
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020 ▼a 0415962617 (hardback : alk. paper)
020 ▼a 9780415962629 (pbk. : alk. paper)
020 ▼a 0415962625 (pbk. : alk. paper)
020 ▼a 9780203030769 (e-book)
020 ▼a 0203030761 (e-book)
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245 0 0 ▼a Film theory and contemporary Hollywood movies / ▼c edited by Warren Buckland.
260 ▼a New York : ▼b Routledge, ▼c 2009.
300 ▼a vi, 355 p. : ▼b ill. ; ▼c 23 cm.
490 1 ▼a AFI film readers
504 ▼a Includes bibliographical references and index.
505 0 ▼a New Hollywood, new aesthetics. New Hollywood, new millennium / Thomas Schatz -- The supernatural in neo-baroque Hollywood / Sean Cubitt -- Man without a movie camera, movies without men: towards a posthumanist cinema? / William Brown -- Movie-games and game-movies: towards an aesthetics of transmediality / Douglas Brown and Tanya Krzywinska -- Saw heard: musical sound design in contemporary cinema / K.J. Donnelly -- The shape of 1999: the stylistics of American movies at the end of the century / Barry Salt -- Tales of epiphany and entropy: paranarrative worlds on YouTube / Thomas Elsaesser -- Feminism, philosophy, and queer theory. Reformulating the symbolic universe: Kill Bill and Tarantino's transcultural imaginary / Sasa Vojkovic -- (Broke)back to the mainstream: queer theory and queer cinemas today / Harry M. Benshoff -- Demystifying Deleuze: French philosophy meets contemporary U.S. cinema / David Martin-Jones -- Rethinking affects, narration, fantasy, and realism. Trauma, pleasure, and emotion in the viewing of Titanic: a cognitive approach / Carl Plantinga -- Mementos of contemporary American cinema: identifying and responding to the unreliable narrator in the movie theater / Volker Ferenz -- Fantasy audiences versus fantasy audiences / Martin Barker -- "What is there really in the world?" Forms of theory, evidence and truth in Fahrenheit 9/11: a philosophical and intuitionist realist approach / Ian Aitken.
650 0 ▼a Motion pictures ▼x Philosophy.
650 0 ▼a Motion pictures ▼z United States.
700 1 ▼a Buckland, Warren.
830 0 ▼a AFI film readers.
945 ▼a KLPA

Holdings Information

No. Location Call Number Accession No. Availability Due Date Make a Reservation Service
No. 1 Location Main Library/Western Books/ Call Number 791.430973 F487 Accession No. 111619194 Availability In loan Due Date 2021-12-13 Make a Reservation Available for Reserve R Service M

Contents information

Author Introduction

워렌 벅랜드(엮은이)

리버풀에 있는 존 무어(Liverpool John Moores) 대학 영화과 교수이다. 그는 이전 영국 학술원 박사 후 연구자였고, <영화 관객:기호에서 마음으로(The Film Spectator:From Sign to The Film)>의 편집자이며, <스크린(Screen)>, <세미오티카(Semiotica)>와 <계간 영화와 비디오 비평(Quarterly Review of Film and Video)>의 기고자이며 <영화와 텔레비전 연구에 대한 신비평(New Review of Film and Television Studies)>의 편집자이기도 하다. <(혼자 공부하는) 영화 연구[Film Studies (Teach Yourself Books)]> second edition, London: Hodder Headline/Chicago: Contemporary- McGraw-Hill, 2003. <현대 미국 영화 연구: 영화 분석 입문(Studying Contemporary American Film: A Guide to Movie Analysis)>, (co-written with Thomas Elsaesser), London: Arnold Publishers; New York: Oxford University Press, 2002. “불록버스터 시대의 저자: 슈필버그와 꿈의 현실화 작업(The Auteur in the Age of the Blockbuster: Steven Spielberg and Dream Works)”, The Movie Blockbuster, ed. J. Stringer (London: Routledge, 2003): 84-98. Conference paper 21. “영화 언명에서의 마지막 단어(The Last Word on Filmic Enuncia- tion)”, Semiotica 135, 1/4 (2001): 211-26 “영화 이론의 동반자(A Companion to Film Theory)”, ed. Toby Miller and Robert Stam, Oxford: Blackwell, 1999 : 84-104. 외 다수

Information Provided By: : Aladin

Table of Contents

Introduction, Warren Buckland Part One: New Practices, New Aesthetics 1. New Hollywood, New Millennium, Thomas Schatz 2. The Supernatural in Neo-Baroque Hollywood, Sean Cubitt 3. Man without a Movie Camera?Movies without Men: Towards a Posthumanist Cinema? William Brown 4. Movie-games and Game-movies: Towards an Aesthetic of Transmediality, Douglas Brown and Tanya Krzywinska 5. Saw Heard: Musical Sound Design in Contemporary Cinema, K.J. Donnelly 6. The Shape of 1999: The Stylistics of American Movies at the End of the Century, Barry Salt 7. Tales of Epiphany and Entropy: Paranarrative Worlds on YouTube, Thomas Elsaesser Part Two: Feminism, Philosophy, and Queer Theory 8. Reformulating the Symbolic Universe: Kill Bill and Tarantino’s Transcultural Imaginary, Sa?a Vojkovic´ 9. (Broke)back to the Mainstream: Queer Theory and Queer Cinemas Today, Harry M. Benshoff 10. Demystifying Deleuze: French Philosophy Meets Contemporary US Cinema, David Martin-Jones Part Three: Rethinking Affects, Narration, Fantasy, and Realism 11. Trauma, Pleasure, and Emotion in the Viewing of Titanic: A Cognitive Approach, Carl Plantinga 12. Mementos of Contemporary American Cinema: Identifying and Responding to the Unreliable Narrator in the Movie Theater, Volker Ferenz 13. Fantasy Audiences versus Fantasy Audiences, Martin Barker 14. "What is There Really in the World?" Forms of Theory, Evidence and Truth in Fahrenheit 9/11: A Philosophical and Intuitionist Realist Approach, Ian Aitken Notes on Contributors Index


Information Provided By: : Aladin

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