Preface and Acknowledgments
Translator’s Note
Abbreviations
Introduction (by Richard Leppert)
1. Locating Music: Society, Modernity, and the New
Commentary (by Richard Leppert)
Music, Language, and Composition (1956)
Why Is the New Art So Hard to Understand?* (1931)
On the Contemporary Relationship of Philosophy and Music* (1953)
On the Problem of Musical Analysis (1969)
The Aging of the New Music (1955)
The Dialectical Composer* (1934)
2. Culture, Technology, and Listening
Commentary (by Richard Leppert)
The Radio Symphony (1941)
The Curves of the Needle (1927/1965)
The Form of the Phonograph Record (1934)
Opera and the Long-Playing Record (1969)
On the Fetish-Character in Music and the Regression of Listening (1938)
Little Heresy* (1965)
3. Music and Mass Culture
Commentary (by Richard Leppert)
What National Socialism Has Done to the Arts (1945)
On the Social Situation in Music (1932)
On Popular Music [With the assistance of George Simpson] (1941)
On Jazz (1936)
Farewell to Jazz* (1933)
Kitsch* (c. 1932)
Music in the Background* (c. 1934)
4. Composition, Composers, and Works
Commentary (by Richard Leppert)
Late Style in Beethoven (1937)
Alienated Masterpiece: The Missa Solemnis (1959)
Wagner’s Relevance for Today (1963)
Mahler Today* (1930)
Marginala on Mahler* (1936)
The Opera Wozzeck* (1929)
Toward an Understanding of Schoenberg* (1955/1967)
Difficulties* (1964, 1966)
Bibliography
Index
An asterisk (*) following a title indicates that the essay is here translated into English for the first time.
Information Provided By: : 
