CONTENTS
Foreword : New Music and Science / John Chowning = ⅸ
Preface = xiii
Acknowledgments = xix
Ⅰ Fundamental Concpts = 1
Overview to Part Ⅰ = 3
1 Digital Audio Concepts / with John Strawn = 5
2 Music Systems Prgramming / Curtis Abbott = 49
Ⅱ Sound Synthesis = 81
Overview to Part Ⅱ = 83
3 Introduction to Digital Sound Synthesis / John Strawn = 85
4 Sampling and Additive Synthesis = 115
5 Multiple Wavetable, Wave Terrain, Granular, and Subtractive Synthesis = 157
6 Modulation Synthesis = 213
7 Physical Modeling and Formant Systhesis = 263
8 Waveform Segment, Graphic and Stockastic Synthesis = 317
Ⅲ Mixing and Signal Processing = 347
Overview to Part Ⅲ = 349
9 Sound Mixing = 353
10 Basis Concepts of Singal Processing = 387
11 Sound Spatialization and Reverberation = 449
Ⅳ Sound Analysis = 493
Overview to Part Ⅳ = 495
12 Pitch and Ryhthm Recognition = 497
13 Spectrum Analysis = 533
Ⅴ The Musician's Interface = 611
Overview to Part Ⅴ = 613
14 Musical Input Devices = 617
15 Performance Software = 659
16 Musci Editiors = 703
17 Music Languages = 783
18 Algorithmic COmposition Systems = 819
19 Representations and Stategies for Algorithmic Composition = 853
Ⅵ Internals and Interconnections = 911
Overview to Part Ⅵ = 913
20 Internals of Digital Singal Processors = 915
21 MIDI = 969
22 System Interconnections = 1017
Ⅶ Psychoacoustics = 1049
Overview to Part Ⅶ = 1051
23 Psychoacoustics in Computer Music / John W. Gordon = 1053
Appendix = 1071
Fouier Analysis / with Philip Greenspun = 1073
References = 1113
Name Index = 1205
Subject Index = 1211
