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Anti-mimesis from Plato to Hitchcock

Anti-mimesis from Plato to Hitchcock (Loan 4 times)

Material type
단행본
Personal Author
Cohen, Tom, 1953-.
Title Statement
Anti-mimesis from Plato to Hitchcock / Tom Cohen.
Publication, Distribution, etc
Cambridge ;   New York, NY, USA :   Cambridge University Press,   1994.  
Physical Medium
xiii, 266 p. ; 23 cm.
Series Statement
Literature, culture, theory ;10
ISBN
0521460131 (hc) 0521465842 (pbk.)
Bibliography, Etc. Note
Includes bibliographical references and index.
Subject Added Entry-Topical Term
Language and languages -- Philosophy. Criticism.
비통제주제어
Language , Philosophy ,,
000 01076camuu2200301 a 4500
001 000045146190
005 20050118112234
008 050118s1994 enk 001 0 eng
010 ▼a 93043559
020 ▼a 0521460131 (hc)
020 ▼a 0521465842 (pbk.)
040 ▼a DLC ▼c DLC ▼d UKM ▼d 211009
049 ▼a KUBA
050 0 0 ▼a P106 ▼b .C593 1994
082 0 0 ▼a 401 ▼2 22
090 ▼a 401 ▼b C678a
100 1 ▼a Cohen, Tom, ▼d 1953-.
245 1 0 ▼a Anti-mimesis from Plato to Hitchcock / ▼c Tom Cohen.
260 ▼a Cambridge ; ▼a New York, NY, USA : ▼b Cambridge University Press, ▼c 1994.
300 ▼a xiii, 266 p. ; ▼c 23 cm.
440 0 ▼a Literature, culture, theory ; ▼v 10
504 ▼a Includes bibliographical references and index.
650 0 ▼a Language and languages ▼x Philosophy.
650 0 ▼a Criticism.
653 0 ▼a Language ▼a Philosophy

Holdings Information

No. Location Call Number Accession No. Availability Due Date Make a Reservation Service
No. 1 Location Main Library/Western Books/ Call Number 401 C678a Accession No. 111305670 Availability Available Due Date Make a Reservation Service B M

Contents information

Table of Contents

Introduction: the legs of sense; Part I. Dialogue and Inscription: 1. Othello, Bakhtin and the death(s) of dialogue; 2. P.s.: Plato's scene of reading in the Protagoras; Part II. Parables of Exteriority - Materality in 'Classic' American Texts: 3. Too legit to quit: the dubious genealogies of pragmatism; 4. Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence (sound); 5. Only the dead know Brooklyn ferry (voice); 6. The letters of the law: 'Bartleby' as hypogrammatic romance (letters); Part III. Pre-Posterous Modernisms: 7. Conrad's fault (signature); 8. Miss Emily, c'est moi: the defacement of modernism in Faulkner (inscription and social form); 9. Hitchcock and the death of (Mr.) Memory (technology of the visible); Coda: post-humanist reading.


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