상세정보

CONTENTS
Acknowledgements = 7
Focusing the Cultural Political Debate in Europe / Peter B. Boorsma ; Annemoon van Hemel ; Niki van der Wielen = 8
1 FOREWORD
  1.1 Carlo Bodo, Cultural Information and Research Centres Liaison in Europe (CIRCLE) = 15
  1.2 Theodoor H. Adams, Ministry of Education, Culture and Science, the Netherlands = 18
  1.3 Vera Boltho, Cultural Policy and Action Division of the Council of Europe 20 = 20
2 AN ANALYTICAL INTRODUCTION
  2.1 Privatizing the Muse 'and all that Jazz' / Peter B. Boorsma = 23
3 APPROACHES TO PRIVATIZATION AND CULTURE
  3.1 Rethinking the State's Role : Privatization, Economics and Cultural Policy / David Throsby = 49
  3.2 Beyond Privatization : The Hybridization of Museums and the Built Heritage / J. Mark Schuster = 58
  3.3 De­monopolizing Culture : Privatization and Culture in 23 European Countries / Cas Smithuijsen = 82
4 CASE STUDIES
  4.1 The Contradictions of D e ´ s e ´ tatisation : Museums in France / Fran ? oise Benhamou = 95
  4.2 Traditional Policy Tools and New Incentives : Built Heritage in Greece / Effie Karpodini­Dimitriadi = 111
  4.3 The Shotgun Wedding of Opera and Industry : Opera Houses in Italy / Ugo Bacchella = 120
  4.4 Who Laughs Last... : Film and Broadcasting in Hungary / Mih a ´ ly G a ´ lik = 142
  4.5 Unbinding Books : Publishing in the Czech Republic / Ji r ∨ ina S ∨ mejkalov a ´ = 142
  4.6 The Conflicts between Profits and Politics : Cultural Industries in Europe / Kirill Razlogov = 160
  4.7 Unlike Airlines and Phone Companies : Performing Arts in Europe / Dragan Klaic = 170
  4.8 Mixed Economy and Culture: Britain's Experience / Stephen Creigh­Tyte = 183
5 CONCLUSIONS / Peter E. Boorsma ; Annemoon van Hemel ; Niki van der Widen = 201
  Appendix A
    About the Authors = 210
  Appendix B
    CIRCLE'S Recommendations to the Council of Europe = 213
      Board of CIRCLE
  Appendix C
    c.1 Introduction to the Work of CIRCLE = 215
    c.2 Introduction to the Work of the Boekman Foundation = 218
    c.3 Introduction to the Department of Public Administration and Public Policy of Twente University = 220
  Appendix D
  Index = 221


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CONTENTS
Ausstellungskalendarium und beteiligte institutionen = 4
Koordinatorinnen und Organisatorinnen ­ Beratung f u ·· r das Gesamtprojekt = 4
Frauen ­ weit u ·· ber die Grenzen Heiderose Hildebrand = 5
Universum : handgross Annemarie Monteil = 7
Schweiz = 8
Griechenland = 14
La contribution des artistes grecques Sania Papa = 14
Deutschland = 20
Vereinigte Staaten = 23
Schachteln gestern ­ Schachteln morgen Rose Bilderbrand = 29
Liste der K u ·· nstlernnen = 30


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CONTENTS
CONTRIBUTORS = 4
CATALOGUE AND EXHIBITION CREDITS = 5
PRESIDENT'S FOREWORD / Dr. Marta Moreno Vega = 6
ACKNOWLEDGMENTS / Mora. Beauchamp­Byrd = 8
INTRODUCTION / Mora I. Beauchamp­Byrd = 10
LONDON BRIDGE : LATE 20TH CENTURY BRITISH ART AND THE ROUTES OF 'NATIONAL CULTURE' / Mora J. BeauchaMp­Byrd = 16
THE CARIBBEAN ARTISTS MOVEMENI 1966­1972 : A SPACE AND A VOICE FOR VISUAL PRACTICE / Anne Walmsley = 46
BODIES OF DIASPORA, VESSELS OF DESIRE: THE EROTIC AND THE AESTHETIC / Kobena Mercer = 53
RUNNING WITH THE HARK AND HUNTING WITH THE HOUNDS / Gilane Tawadros = 58
TALKING BACK : BLACK WOMEN'S VISUAL LIBERATION THROUGH PHOTOGRAPHY / Deborah Willis = 63
SURFING THE "BLACK" DIASPORIC WEB : POSTCOLONIAL BRITISH ART AND THE DECOLONIZATION OF U.S. VISUAL CULTURE / Judith Wilson = 69
THE EMERGENCE OF THE BLACK BRITISH ARTIST / Eddie Chambers = 77
A QUESTION OF PLACE : REVISIONS, REASSESSMENTS, DIASPORA / Okwui Enwezor = 80
EXHIBITION COLOR PLATES = 89
ARTIST BIOGRAPHIES = 119
CHRONOLOGY / Krista Thompson = 149
EXHIBITION CHECKLIST = 167
BIiBLOGRAPHY = 173
PHOTO CREDITS = 177