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韓國戱曲文學史의 硏究. 1-6

韓國戱曲文學史의 硏究. 1-6 (Loan 7 times)

Material type
단행본
Personal Author
사재동, 편
Title Statement
韓國戱曲文學史의 硏究. 1-6 / 史在東 編.
Publication, Distribution, etc
대구 :   中央人文社,   2000.  
Physical Medium
6책 ; 22 cm.
Series Statement
人文硏究學術叢書 ;第3-8輯
ISBN
8995062215 8995062207(전6권)
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082 0 4 ▼a 895.72009 ▼2 21
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245 1 0 ▼a 韓國戱曲文學史의 硏究. ▼n 1-6 / ▼d 史在東 編.
260 ▼a 대구 : ▼b 中央人文社, ▼c 2000.
300 ▼a 6책 ; ▼c 22 cm.
490 0 0 ▼a 人文硏究學術叢書 ; ▼v 第3-8輯
700 1 ▼a 사재동, ▼e▼0 AUTH(211009)15259
950 0 ▼b \102000 ▼c (각권\17000)

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Contents information

Table of Contents


[Volume. 1]----------
목차
Ⅰ. 戱曲史 總論
 韓國戱曲史 硏究序說 / 史在東 = 11
 韓國戱曲史 時代區分을 위한 理論的 摸索 / 사진실 = 91
 中國戱曲史本質論兼及東方戱劇共同特徵 / 孫崇濤 = 127
 口碑文學의 演行論, 그 文學的 生産과 受容의 力動性 / 임재해 = 137
 韓國 戱曲 演劇 樣式의 歷史的 展開와 樣式的 特性 / 김익두 = 195
 韓國 敍事文學의 演行樣式과 機能 / 김진영 = 217
 建國神話의 戱曲的 性格 / 나경수 = 235
 韓國 歌謠傳說의 戱曲的 展開 / 史在東 = 255
 中國 戱曲이 韓國의 劇文學에 끼친 影響 / 성호경 = 281
 論中國少數民族戱曲走向 / 談志湘 = 311
 韓ㆍ中 高僧傳의 戱劇的 展開 / 史在東 = 323
 韓ㆍ中 佛敎故事의 流變關係 / 史在東 = 363
 演劇에 韓ㆍ日 交流 / 李杜鉉 = 391
 日本에 있어서 韓國傳來의 樂舞 / 윤광봉 = 407
 總目次 = 429
[Volume. 2]----------
목차
Ⅱ. 古代 戱曲의 展開
 公無渡河傳承의 戱曲的 展開 / 史在東 = 11
 唐戱를 통해 본 三國時代 歌舞戱 / 김학주 = 43
「駕洛國記」考 / 金烈圭 = 101
 <駕洛國記>의 戱曲的 硏究 / 김선향 = 113
 <黃昌舞>硏究 / 황인덕 = 163
 處容歌舞의 演劇史的 理解 / 조동일 = 197
「處容郞ㆍ望海寺」의 劇本的 考察 / 박병동 = 213
 都彌說話의 流通樣相 / 노태조 = 241
 薯童傳承의 戱曲性 試考 / 유경숙 = 275
 <異次頓傳>의 戱曲的 硏究 / 崔弘變 = 313
「元曉不羈」의 戱曲的 性格 / 史在東 = 363
「南白月二聖」의 戱曲的 展開 / 史在東 = 403
 <桃花女ㆍ鼻荊郞>의 祭儀劇的 性格 試考 / 이완형 = 427
 <薛氏女>傳의 戱本的 性格 試考 / 황인덕 = 447
 <金現感虎>의 戱曲的 性格 考察 / 朴鐘翼 = 493
 總目次 = 517
[Volume. 3]----------
목차
Ⅲ. 中世戱曲의 展開
 高麗時代 戱曲의 形態와 流通樣相 / 史在東 = 11
 高麗時代 呈才의 公演方軾과 演出原理 / 사진실 = 49
 高麗歌謠의 敍事的 構造와 演行樣相 / 史在東 = 81
 黃昌舞의 文藝的 流變關係 / 문희순 = 133
 高麗朝의 '處容'에 대한 認識과 演行樣相 / 박찬수 = 155
 佛敎戱曲의 形成 流通 / 史在東 = 187
 講唱文學의 戱曲的 展開 / 景一男 = 221
 佛敎系 講唱文學의 演行樣相 / 김진영 = 239
 三國遺事 高僧別傳의 硏究 / 崔弘變 = 267
 釋迦如來十地修行記의 劇本性 硏究 / 박병동 = 355
 韓中 目連故事의 流變關係 / 史在東 = 393
 中韓 目連求母故事比較硏究 / 劉禎 = 439
 善友太子傳承의 戱曲的 展開 / 박광수 = 451
 王郞返魂傳의 戱曲的 性向 / 史在東 = 471
 王郞返魂傳의 演行과 戱曲的 實相 / 史在東 = 503
 總目次 = 547
[Volume. 4]----------
목차
Ⅳ. 近世戱曲의 展開(Ⅰ)
 朝鮮 前期 儺禮의 辨別樣相과 公演의 特性 / 사진실 = 11
 <鶴演華臺處容舞合設>의 演劇的 構成과 表現 / 한옥근 = 47
 笑謔之戱의 公演方式과 戱曲의 特性 / 사진실 73
 <船遊樂의 公演樣相>과 形成過程 / 사진실 = 151
 山臺의 舞臺樣相적 特性과 公演樣相 / 사진실 = 177
 繪畵를 통해 본 敍事文學의 演行樣相 / 김진영 = 207
 古典小說의 演行樣相 / 김진영 = 223
 佛敎齊儀 戱曲的 展開 / 史在東 = 247
 佛敎系 敍事文學과 齊儀劇의 相關性 / 김진영 = 335
 佛敎系 講唱文學의 戱曲的 展開 / 史在東 = 363
 佛敎系 變文의 系通과 演行樣相 / 김진영 = 395
《월인석보》의 講唱文學的 性格 / 史在東 = 417
「王郞返魂傳」과「魚兒佛」/ 史在東 443
 <왕시봉뎐>, 中國戱曲 <荊釵記>의 飜譯 / 박재연 = 475
 總目次 = 495
[Volume. 5]----------
목차
Ⅴ. 近世戱曲의 展開(Ⅱ)
 才談 公演의 傳統과 演劇史的 意義 / 사진실 = 11
 「東廂記」의 成立背景과 作者 問題 / 孫燦植 = 37
 「東廂記」의「金申夫婦傳」의 比較 考察 / 孫燦植 = 59
 「東廂記」의 劇本的 實相과 演劇史的 價値 / 경일남 = 95
 「雜劇 沈靑王后傳」考 / 鄭夏英 = 117
 「滿江紅」과「映山江」의 原本 確定 및 異本 改作 意圖 / 윤일수 = 139
 「滿江紅」의 古典戱曲的 實相과 戱曲史的 意義 / 경일남 = 157
 廣寒樓記의 戱曲文學的 性格 / 김진영 = 181
 沈淸傳承의 戱曲的 展開 / 史在東 = 209
 燕巖小說에 나타난 戱曲的 硏究 / 방귀환 = 253
 판소리의 實演的 考察 / 방성석 = 311
 판소리 단가의 戱曲的 性向 / 홍순일 = 363
 판소리의 장르적 性格 / 전신재 = 391
 판소리 辭說의 장르적 究明 / 成賢慶 = 403
 唱劇의 演劇史的 位相 / 백현미 = 421
 <심청전>을 변용한 現代戱曲 硏究 / 장혜전 = 463
 '달아 달아 밝은 달아'의 構造와 意味 / 사진실 = 487
 「이 大監 亡할 大監」의「배비장전」變容樣相 / 송재일 = 509
 金宇鎭의 近代的 理論 硏究 / 사진실 = 527
 總目次 = 567
[Volume. 6]----------
목차
Ⅵ. 近世戱曲의 展開(Ⅲ)
 韓國 民俗劇의 展開 / 張漢基 = 11
 民俗劇의 傳承方向 / 심우성 = 33
 敍事民謠의 演行藝術的 實現樣相 / 서영숙 = 45
 民謠 <징거미타령>의 戱曲的 特徵과 意義 / 이수자 = 75
 韓國 巫歌의 戱曲的 展開 / 史在東 = 103
 동해안 巫劇의 樣相 / 박경신 = 123
 거리굿의 演劇的 考察 / 서대석 = 149
 <삼설양굿>의 戱曲的 性格 / 이경엽 = 171
 假面劇과 民俗人形劇의 美意識 / 유민영 = 185
 韓國 傳統假面劇과 코메디아 델아르테 / 이미원 = 241
 서울의 본산대놀이과 그 놀이꾼 / 전경욱 = 263
 봉산탈춤 '중마당군'의 兩面性과 構成原理 / 박진태 = 293
 <양주별산대놀이>의 構成과 主題 / 전신재 = 317
 江陵假面劇의 神話的 構成 / 장정룡 = 339
 16-17세기 동아시아의 人形劇 / 尹光鳳 = 351
 人形劇의 戱曲的 考察 / 강용권 = 379
 꼭두각시놀음의 演行記號學的 硏究 試論 / 허용호 = 425
 總目次 = 461


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